CIN'S HUM310 BLOG

Humanities 310 School of Athens Raphael 1509     Thinking back to my first week of this Humanities class, my initial thought was that I probably wouldn't enjoy the class or the class might be too overwhelming for me because I was quite unsure what humanities were. But I knew that my goals were to learn something that I may have never heard before and find new interesting topics that can help me build onto my interests which I was able to achieve. Now it is the end of the semester, I realized that I was able to achieve those goals. I felt that I learned so much more in this class than in my other classes, despite the fact that this class was asynchronous. I was unsure what humanities were and now I have a clearer definition that humanities are the study of human experience and events that can influence better acts out of humans. Humanism is something that is continuing as we are living throughout the past, present, and future and it builds a connection with one and another.      Wha

  Swaying Dancer  Swaying Dancer ( Dancer in Green)   Edgar Degas 1877-1879 Madrid      The artwork that I chose during my virtual visit at El Museo Nacional Thyssen-Bornemisza is the Swaying Dancer. The Swaying Dancer was created by a French Impressionist, Edgar Degas, from 1877 to 1879. The artwork is also known by another name of the Dancer in Green. In this particular artwork, Degas focused on the world of ballet which is exactly portrayed in the painting. Using pastels strokes to mimic the movements of the ballerinas in a fragmented technique. Degas was influenced by photography and Japanese prints in his work.      I couldn't find a specific JSTOR article that focuses on this specific art, the Swaying Dancer, but I was able to find a JSTOR article about the artist himself and his other works that are similar to Swaying Dancer. In this particular article, it goes in-depth on how Degas has begun his work in portraying ballerinas and the handling of critics on his arts. Dancer w

 Marceline   The Marriage of Figaro Ann Ronan Picture Library   The character in Marriage of Figaro that I chose to talk about is Marceline, the court housekeeper. Even though she isn't exactly the main character of the whole play, she was a sub-character that stood out to me. I found her character to be interesting through the beginning of how she wants to marry Figaro and create a plot within getting the Count to not allow Figaro to marry Suzanne. As a court housekeeper, Marceline's class status would lie more into the middle class but may have some advantages as upper.  In Act 3 when they all found out that Marceline is the maternal mother of Figaro. Personally, my thoughts went exactly like "huh?" because it was a weird idea that there could've been a possible chance of Figaro marrying his maternal mother. That would've been a huge twisted controversy. Marceline engaged through the plot forward by getting the Count against the marriage of Figaro and Suza

Self Portrait  Nicholas Poussin Paris 1650     Born in 1594, Nicholas Poussin became one of the most popular French artists who spent nearly his entire life working in Rome. Many have considered Poussin to be one of the founders of French classical baroque arts. Poussin's work has been known for the amount of depth and strong use of color that he depicts that demonstrates a deeper narrative and complexity. In addition, he further depicts a series of landscapes and perspectives on his work. In connection, Naomi Joy Barker in her article " 'Diverse Passions': Mode, Interval and Affect in Poussin's Paintings" dives further on the complexity of Poussin's works in terms of landscaping and color to break down the connection with classical style; " Poussin of all artists perhaps most encapsulates the theories of his time, and in his paintings, we can trace influences not just of theories of art and music" ( Barker 19 ) The Abduction of the Sabine Women